luck9 Lorraine O’Grady, Artist Who Defied Category, Is Dead at 90
Lorraine O’Grady, a conceptual artist who had careers as a research economist, literary translator and rock critic before producing her first art in her 40s, and who went on to influence a generation of younger Black artists, died on Friday at her home in Manhattan. She was 90.
“In recent weeks, a conversation around whether to change how we allocate our Electoral College votes has returned to the forefront,” Mr. McDonnell said in a statement on Monday. “I respect the desire of some of my colleagues to have this discussion, and I have taken time to listen carefully to Nebraskans and national leaders on both sides of the issue. After deep consideration, it is clear to me that right now, 43 days from Election Day, is not the moment to make this change.”
omm slotRobert Ransick of the Lorraine O’Grady Trust confirmed the death.
Embracingly interdisciplinary in her formal choices, Ms. O’Grady had no fixed style. She worked in collage, photography, performance, video and installation. And she dealt forthrightly with the complicated realities of race and gender, drawing on her experience of being excluded from the white art world because she was Black and marginalized within the Black art world because she was a woman. As a result, no one knew quite what to do with her, and her art career remained little known until recently.
The child of Lena and Edwin O’Grady, middle-class Jamaican immigrants who had, she said, “more education than they would be allowed to use in this country,“ Lorraine Eleanor O’Grady was born in Boston on Sept. 21, 1934, and grew up within a few blocks of the city’s main public library, where she spent much of her childhood reading and writing.
ImageIn 1983, Ms. O’Grady created a participatory piece titled “Art Is …” in which performers descended into the street and invited spectators to pose for portrait photos within empty gilded frames.Credit...Lorraine O’Grady, courtesy of Lorraine O’Grady TrustShe majored in economics and Spanish literature at Wellesley College and, after graduation, took a job in Washington as a research economist with the U.S. Department of Labor, focusing on labor conditions in Africa and Latin America.
But her path was a restless one. After a few years, she quit her government job and moved to Europe to write a novel. She returned to the U.S., where she studied at the University of Iowa Writers’ Workshop. For a while, to support herself, she taught high school Spanish. In 1970, she opened a commercial translation agency in Chicago that attracted clients ranging from the Encyclopaedia Britannica to Playboy magazine.
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